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Paddy Jaminji Value and Auction results

Works Offered at Auction: 98
Sale Rate: 64%
Highest Sale: $140,000 AUD
Median Sale Price: $15,000 AUD

For Paddy Jaminji’s biography, relationship with Rover Thomas, role in the Kurirr-Kurirr ceremony, painting style and importance in the emergence of East Kimberley art, see the main Paddy Jaminji Aboriginal artist page.

This page focuses specifically on Paddy Jaminji painting values and auction results. His works are comparatively rare at auction, with the strongest prices generally achieved by important early ochre paintings from the late 1970s and 1980s. Kurirr-Kurirr ceremonial works, paintings of Bedford Downs Country and culturally significant subjects such as Tawurr, the ancestral “half-one” kangaroo, are particularly important within his market.

Large paintings with strong early provenance can command substantially higher prices than smaller boards and less significant examples. Provenance connected with early collectors and dealers such as Mary Macha can also be important.

The auction records below document individual works, dates, dimensions, provenance, estimates and sale information. Auction catalogues sometimes record the artist under variant spellings including Paddy Jamanji, Jampinji, Jamintji, Tjamintji and Tjamatji.

Paddy Jaminji Value 1978-1980

Moon, Sun and Stars by Paddy Jaminji, 1978/79, an early East Kimberley ceremonial painting in natural earth pigments on board.

Moon, Sun and Stars (1978/79)

Size
122 × 122 cm

Medium
Natural earth pigments on board

Auction
Lawson~Menzies (now trading as Menzies), Fine Aboriginal Art, Sydney, 31 May 2005, Lot 54

Provenance
Acquired directly from the artist in 1978 by the owner, who was a member of the original Argyle Diamond mine site survey team. Private Collection, Western Australia.

Price Realised

$87,500 AUD
Bedford Station by Paddy Jaminji, 1979, an early Warmun painting in ochre on board depicting Bedford Station Country.

Bedford Station (1979)

Size
40 × 115.2 cm

Medium
Ochre on board

Auction
Art Leven (formerly Cooee Art), First Nations & Australian Fine Art Auction – Featuring the Collection of Dame Marie Bashir AD CVO & Sir Nicholas Shehadie, Sydney, 19 May 2026, Lot 23

Provenance
The artist, painted at Warmun, Western Australia. The Collection of Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE, Sydney, New South Wales.

Price Realised
$11,000 AUD

Old Tracks to Dreaming Place by Paddy Jaminji, 1979, an early East Kimberley painting in natural earth pigments on construction ply.

Old Tracks to Dreaming Place (1979)

Size
120 × 60 cm

Medium
Natural earth pigments on construction ply

Auction
Art Leven (formerly Cooee Art), Aboriginal & Oceanic Art, Sydney, 29 May 2018, Lot 23

Provenance
Purchased at Warmun in 1981, Western Australia. Robin Beesey Collection, Victoria. Thence by descent.

Price Realised
$7,500 AUD

Krill Krill Ceremony Dance Board (Cyclone Tracy) by Paddy Jaminji, 1979, painted in natural earth pigments on construction board.

Krill Krill Ceremony Dance Board (Cyclone Tracy) (1979)

Size
40 × 69 cm (irregular)

Medium
Natural earth pigments on construction board

Auction
Art Leven (formerly Cooee Art), Indigenous Fine Art Auction, Sydney, 23 June 2020, Lot 81

Provenance
Neil McLeod, field collected, Kimberley, Western Australia. Burrinja Gallery, Victoria. Private Collection, Tasmania.

Price Realised
$5,500 AUD

Bedford by Paddy Jaminji, 1979, an early East Kimberley painting in earth pigments on board depicting Bedford Country.

Bedford (1979)

Size
60 × 74 cm

Medium
Earth pigments on board

Auction
Deutscher~Menzies, Fine Aboriginal Art and a Collection of New Ireland Malagan Sculptures, Melbourne, 27 June 2000, Lot 81

Provenance
Purchased directly.

Price Realised
$4,600 AUD

Bedford Hills by Paddy Jaminji, 1979, an early East Kimberley dance board painted in natural earth pigments on construction plywood.

Bedford Hills (1979)

Size
40 × 77 cm (irregular)

Medium
Natural earth pigments on construction plywood

Auction
Art Leven (formerly Cooee Art), Aboriginal Works of Art, Sydney, 3 December 2019, Lot 78

Provenance
Neil McLeod, field collected, Kimberley, Western Australia. Burrinja Gallery, Dandenong Ranges, Victoria. Private Collection, Tasmania.

Price Realised
$3,000 AUD

Paddy Jaminji Value 1981-1983

Tunnel Creek Dreaming Place by Paddy Jaminji, 1981, an early East Kimberley painting in earth pigments on board associated with the Krill Krill ceremony.

Tunnel Creek Dreaming Place (1981)

Size
60 × 120.5 cm

Medium
Earth pigment on board

Auction
Deutscher~Menzies, 19th and 20th Century Australian & International Paintings, Sculpture and Works on Paper, Melbourne, 20 April 1998, Lot 7

Provenance
Kimberley Art, Melbourne. Private Collection, Melbourne.

Price Realised
$12,000 AUD

Dreaming Place by Paddy Jaminji, 1982, a large East Kimberley painting in natural earth pigments on board.

Dreaming Place (1982)

Size
213.5 × 91 cm

Medium
Natural earth pigments on board

Auction
Art Leven (formerly Cooee Art), Indigenous Fine Art Auction, Sydney, 11 October 2022, Lot 24

Provenance
Neil McLeod Fine Art, Victoria. Private Collection, Victoria. Accompanied by a certificate of authenticity from Neil McLeod Fine Art.

Price Realised
$44,000 AUD

The Spirits, Jimbi and Manginta by Paddy Jaminji, pre-1983, an early East Kimberley painting in natural earth pigments on plywood.

The Spirits, Jimbi and Manginta (pre-1983)

Size
62 × 122 cm

Medium
Natural earth pigments and natural binders on plywood

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 24 July 2007, Lot 32

Price Realised
$85,000 AUD

Turkey Creek Junction, Warmun Hole by Paddy Jaminji, 1983, painted in natural earth pigments on composition board.

Turkey Creek Junction, Warmun Hole (1983)

Size
71.5 × 111.5 cm

Medium
Natural earth pigments and natural binder on composition board

Auction
Sotheby’s, Aboriginal Art, Sydney, 29 July 2003, Lot 163

Provenance
Acquired directly from the artist at Warmun (Turkey Creek), Western Australia, in 1983. Private Collection, Western Australia.

Price Realised
$30,000 AUD

Ngumurli Warra (Cyclone Tracy) by Paddy Jaminji, 1983, a Krill Krill ceremonial painting in natural earth pigments on plywood.

Ngumurli Warra (Cyclone Tracy) (1983)

Size
92 × 92 cm

Medium
Natural earth pigments and natural and synthetic binder on plywood

Auction
Sotheby’s, Aboriginal Art, Melbourne, 9 July 2001, Lot 5

Provenance
Acquired from Rover Thomas in Darwin after the work was used in a public performance of the Krill-Krill Ceremony on 9 May 1983. Private Collection, Sydney.

Price Realised
$22,000 AUD

Untitled (Bedford Station) by Paddy Jaminji, c. 1983, an East Kimberley painting in ochre pigment on plywood.

Untitled – Bedford Station (c. 1983)

Size
72 × 123 cm

Medium
Ochre pigment on plywood

Auction
Mossgreen Auctions, Fine Australian Art, Melbourne, 16 November 2010, Lot 46

Price Realised
$4,000 AUD

Paddy Jaminji Value 1984

A Big Hill Gumeri on Bedford Downs Station by Paddy Jaminji, 1984, an East Kimberley painting in natural earth pigments and bush gum on canvas.

Hills of Turkey Creek (c. 1984)

Size
182.5 × 149.5 cm

Medium
Natural earth pigments and bush gum on canvas

Auction
Bonhams, The Grundy Collection, Sydney, 26 June 2013, Lot 41

Provenance
Mary Macha, Perth. Private Collection, Melbourne. Sotheby’s, Important Aboriginal Art, Melbourne, 29 July 1998, Lot 14. The Reg Grundy AC OBE and Joy Chambers-Grundy Collection, acquired in 1998.

Price Realised
$140,000 AUD

Untitled by Paddy Jaminji, 1984, an East Kimberley landscape painting in natural earth pigments on canvas, possibly related to the Argyle Diamond Mine.

Untitled (1984)

Size
126 × 190 cm

Medium
Natural earth pigments and synthetic binder on canvas mounted on board

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 24 June 2002, Lot 235

Provenance
Acquired by the vendor during a painting expedition to Warmun (Turkey Creek) in 1984.

Price Realised
$62,500 AUD

Half Kangaroo at Elgee Cliffs by Paddy Jaminji, 1984, an East Kimberley painting in natural earth pigments on canvas depicting Tawurr and Bedford Downs Country.

Half Kangaroo at Elgee Cliffs (1984)

Size
131 × 198 cm

Medium
Natural earth pigments and natural binder on canvas

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 24 June 2002, Lot 178

Provenance
Commissioned by the vendor at Warmun in 1984. Private Collection, Perth.

Price Realised
$50,000 AUD

Untitled (Men’s Ceremonial Ground, Springvale) by Paddy Jaminji, 1984, an early Warmun painting in natural earth pigments on canvas.

Untitled (Men’s Ceremonial Ground, Springvale) (1984)

Size
94.5 × 180.5 cm

Medium
Natural earth pigments and bush gum on canvas

Auction
Bonhams, The Laverty Collection: Contemporary Australian Art, Sydney, 24 March 2013, Lot 137

Provenance
Painted at Warmun (Turkey Creek), Western Australia. Purchased from Mary Macha, Perth, in May 1994. The Laverty Collection, Sydney.

Price Realised
$25,000 AUD

Eight Hills on Bedford Downs Station by Paddy Jaminji, 1984, an East Kimberley landscape painting in natural earth pigments and bush gum on canvas.

Eight Hills on Bedford Downs Station (1984)

Size
96 × 181 cm

Medium
Natural earth pigments and bush gum on canvas

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 30 June 1997, Lot 2

Provenance
Painted in 1984 and purchased directly from the artist by Mary Macha, Perth. Lord McAlpine, London. L. Waddington, Waddington Gallery, London. Mary Macha, Perth. Private Collection, Melbourne. Accompanied by a certificate of authenticity signed by Mary Macha.

Price Realised
$22,000 AUD

Untitled by Paddy Jaminji, late 1984, a Warmun painting in natural earth pigments on plywood with hills, water and concentric forms.

Untitled (late 1984)

Size
61 × 118 cm

Medium
Natural earth pigments and natural binders on plywood

Auction
Sotheby’s, Aboriginal Art, Sydney, 20 October 2008, Lot 157

Provenance
Painted at Warmun (Turkey Creek) in late 1984. Gifted to the vendor in early 1985 in Kununurra. Private Collection.

Price Realised
$18,000 AUD

Fitzroy Crossing by Paddy Jaminji, 1984, an East Kimberley painting in earth pigments on board associated with the Kuril Kuril ceremony.

Fitzroy Crossing (1984)

Size
61 × 122 cm

Medium
Earth pigments on board

Auction
Deutscher~Menzies, Fine Aboriginal Art and a Collection of New Ireland Malagan Sculptures, Melbourne, 27 June 2000, Lot 287

Price Realised
$15,000 AUD

Cloud, Krill Krill Ceremony by Paddy Jaminji, 1984, an East Kimberley ceremonial painting in natural earth pigments on board representing Cyclone Tracy.

Cloud, Krill Krill Ceremony (1984)

Size
60 × 90 cm

Medium
Natural earth pigments on board

Auction
Lawson~Menzies (now trading as Menzies), Aboriginal Art Auction, Sydney, 23 November 2004, Lot 25

Provenance
Kimberley Art, Melbourne. Private Collection, Melbourne.

Price Realised
$12,000 AUD

Kanmanturr by Paddy Jaminji, c. 1984, an early Warmun painting in natural earth pigments on canvas board.

Kanmanturr (c. 1984)

Size
45.5 × 61 cm

Medium
Natural earth pigments and natural binders on canvas board

Auction
Deutscher and Hackett, Important Australian + International Fine Art; The Ken & Joan Plomley Collection of Modernist Art, Sydney, 28 August 2019, Lot 126

Provenance
Painted at Warmun (Turkey Creek), Western Australia. Aboriginal Traditional Arts, Perth (Mary Macha). Private Collection, Tasmania.

Price Realised
$9,000 AUD

Manginta (Devil Devil) by Paddy Jaminji, 1984, a Krill Krill ceremonial painting in natural earth pigments on board.

Manginta – Devil Devil (1984)

Size
130 × 82 cm

Medium
Natural earth pigments on board

Auction
Lawson~Menzies (now trading as Menzies), Aboriginal Fine Art, Sydney, 9 November 2005, Lot 174

Provenance
Acquired directly from the artist by a construction worker. Private Collection, Canberra. Private Collection, Melbourne.

Price Realised
$7,000 AUD

Jiliyilli Country by Paddy Jaminji, c. 1984, an East Kimberley painting in natural earth pigments depicting an important Krill Krill Dreaming site.<br />

Jiliyilli Country (c. 1984)

Size
79.5 × 89.5 cm

Medium
Natural earth pigments and bush gum on hardboard

Auction
Sotheby’s, Aboriginal & Tribal Art, Sydney, 9 November 1997, Lot 75

Provenance
The Holmes à Court Collection.

Price Realised
$5,000 AUD

Paddy Jaminji Value 1985

Devil Devil (Manginta) by Paddy Jaminji, 1985, a Gurirr Gurirr ceremonial painting in natural earth pigments on board.

Devil Devil – Manginta (1985)

Size
46 × 125 cm

Medium
Natural earth pigments on board

Auction
Lawson~Menzies (now trading as Menzies), Aboriginal Fine Art, Sydney, 23 May 2007, Lot 123

Provenance
Field collected by McLeod in 1985. Neil McLeod Fine Arts. Private Collection, Victoria.

Price Realised
$12,000 AUD

Untitled (Dreamings on Bedford Downs) by Paddy Jaminji, 1985, an ochre painting depicting ancestral beings and sites associated with Bedford Downs Country.

Untitled – Dreamings on Bedford Downs (1985)

Size
89.5 × 152.5 cm

Medium
Natural earth pigments and natural binder on canvas

Auction
Sotheby’s, Aboriginal and Oceanic Art, Sydney, 25 November 2007, Lot 78

Provenance
Commissioned by Chips Mackinolty at Warmun (Turkey Creek) in 1985. Private Collection, acquired from the above.

Price Realised
$30,000 AUD

Elgee Cliff, Half Kangaroo – Krilkril Country by Paddy Jaminji, 1985, an ochre painting depicting the ancestral half-kangaroo Tawurr at Elgee Cliffs.

Elgee Cliff, Half Kangaroo – Krilkril Country (1985)

Size
66 × 94 cm (irregular)

Medium
Natural earth pigments with bush gum on plywood

Auction
Deutscher and Hackett, Important Aboriginal Art from the Laverty Collection, Sydney, 8 March 2015, Lot 32

Provenance
Mary Macha, Subiaco, Perth. The Collection of Colin and Elizabeth Laverty, Sydney, purchased in July 1987. Accompanied by a certificate of authenticity.

Price Realised
$25,000 AUD

Kananganja – Mt King, Bedford Downs by Paddy Jaminji, c. 1985, an East Kimberley painting in natural earth pigments on plywood.

Kananganja – Mt King, Bedford Downs (c. 1985)

Size
62.5 × 122.5 cm

Medium
Natural earth pigments and natural binders on plywood

Auction
Sotheby’s, Aboriginal Art, Sydney, 20 October 2008, Lot 55

Provenance
Painted at Warmun (Turkey Creek) circa 1985. Mary Macha, Perth. Private Collection.

Price Realised
$25,000 AUD

Roebuck Bay and Country by Paddy Jaminji, 1985, an East Kimberley ochre painting depicting Roebuck Bay, surrounding Country and a pearling lugger.

Roebuck Bay and Country (1985)

Size
92 × 183 cm

Medium
Natural earth pigments on board

Auction
Lawson~Menzies (now trading as Menzies), Aboriginal Art, Sydney, 30 May 2006, Lot 117

Provenance
Collected in 1985 on a field trip to the Kimberley and purchased directly from the artist. Private Collection, Victoria.

Price Realised
$37,000 AUD

 

Devil Devil Springs by Paddy Jaminji, c. 1985, an East Kimberley painting in natural earth pigments and bush gum on plywood.

Devil Devil Springs (c. 1985)

Size
82 × 122 cm

Medium
Natural earth pigments and natural binder (bush gum) on plywood

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 28 June 1999, Lot 90

Price Realised
$26,000 AUD

Pelican Dreaming by Paddy Jaminji, 1985, a Warmun painting in natural pigments depicting Dreaming Country including Pukulmirri and Jukulmirri hills.

Pelican Dreaming (1985)

Size
84.5 × 84 cm

Medium
Natural pigments and binder on linen

Auction
Shapiro Auctioneers, Modern + Contemporary Art, Sydney, 10 June 2003, Lot 173

Provenance
The artist to the vendor, 1985.

Price Realised
$22,000 AUD

Palms at Bedford Downs by Paddy Jaminji, 1985, an East Kimberley painting in natural earth pigments depicting palm trees at Bedford Downs.

Palms at Bedford Downs (1985)

Size
114 × 111 cm

Medium
Natural earth pigments and gum on plywood panel

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 30 June 1997, Lot 53

Provenance
Purchased directly from the artist by Mary Macha at Warmun (Turkey Creek) in 1985.

Price Realised
$18,000 AUD

Untitled by Paddy Jaminji, 1985, a Warmun painting in natural earth pigments with four elongated red forms outlined in white dots.

Untitled (1985)

Size
36 × 45.5 cm

Medium
Natural earth pigments and synthetic binder on canvas board

Auction
Sotheby’s, Aboriginal Art, Melbourne, 9 July 2001, Lot 218

Provenance
Painted in 1985. Waringarri Aboriginal Arts, Kununurra. Private Collection, Darwin.

Price Realised
$1,700 AUD

Devil Devil (Yulamangi) by Paddy Jaminji, 1985, a Gurirr Gurirr ceremonial painting in natural earth pigments on board.

Devil Devil – Yulamangi (1985)

Size
123 × 45 cm

Medium
Natural earth pigments on board

Auction
Lawson~Menzies (now trading as Menzies), Aboriginal Fine Art, Sydney, 23 May 2007, Lot 212

Provenance
Collected in the field in 1985 and purchased directly from the artist. Neil McLeod Fine Arts. Private Collection, Victoria.

Price Realised
$10,000 AUD

Kirr Kirr Ceremony by Paddy Jaminji, c. 1985, a ceremonial painting in natural earth pigments showing multiple figures, symbols and dotted forms.

Kirr Kirr Ceremony (c. 1985)

Medium
Natural earth pigments and natural binder

Auction
Sotheby’s, Aboriginal Art, Melbourne, 26 June 2000, Lot 80

Price Realised
$3,000 AUD

Untitled by Paddy Jaminji, 1985, a Warmun painting in natural earth pigments with two large red ochre forms outlined in white dots.

Untitled (1985)

Size
45.5 × 61 cm

Medium
Natural earth pigments and synthetic binder on canvas board

Auction
Sotheby’s, Aboriginal Art, Melbourne, 9 July 2001, Lot 183

Provenance
Painted in 1985. Waringarri Aboriginal Arts, Kununurra. Private Collection, Darwin.

Price Realised
$2,600 AUD

Untitled (Two Hills) by Paddy Jaminji, c. 1985, an East Kimberley painting in natural earth pigments depicting two ancestral figures transformed into stone.

Untitled (Two Hills) (c. 1985)

Size
65 × 76.5 cm

Medium
Natural earth pigments on composition board

Auction
Bonhams, Aboriginal Art; Aboriginal Art from The Superannuation Fund of William Nuttall and Annette Reeves, Sydney, 28 May 2012, Lot 31

Provenance
Painted circa 1985. Acquired by a nursing sister at Warmun (Turkey Creek) between 1984 and 1989. Sotheby’s, Important Aboriginal Art, Melbourne, 28 June 1999, Lot 12. Superannuation Fund of William Nuttall and Annette Reeves.

Price Realised
$1,500 AUD

Paddy Jaminji Value 1986-1988

Tumpun at Tjiwurratjiwurra by Paddy Jaminji, 1987, showing groups of white human-like figures, trees and a large ochre form outlined with dots.

Tumpun at Tjiwurratjiwurra (1987)

Size
60 × 90 cm

Medium
Natural earth pigments and natural binder (bush gum) on composition board

Auction
Sotheby’s, Aboriginal Art, Melbourne, 26 June 2000, Lot 21

Price Realised
$15,000 AUD

 

Illambul Country by Paddy Jaminji, 1987, an ochre painting of East Kimberley Country in red, black and yellow earth pigments with white dotted outlines.

Illambul Country (1987)

Size
61 × 91.5 cm

Medium
Natural earth pigments and natural earth binder (bush gum) on composition board

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 25 July 2005, Lot 196

Provenance
Commissioned by Mary Macha in 1987. Purchased from Gary Anderson Gallery, Sydney. Private Collection, New South Wales.

Price Realised
$30,000 AUD

Lissadel Downs by Paddy Jaminji, 1986, an East Kimberley painting in natural earth pigments and bush gum on plywood.

Lissadel Downs (1986)

Size
44 × 99.5 cm

Medium
Natural earth pigments and natural binder (bush gum) on plywood

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 25 July 2005, Lot 130

Provenance
Painted at Warmun (Turkey Creek), East Kimberley. Private Collection, New South Wales.

Price Realised
$15,000 AUD

Hills at Turkey Creek by Paddy Jaminji, c. 1986, an East Kimberley landscape painted in natural earth pigments and bush gum on canvas.

Hills at Turkey Creek (c. 1986)

Medium
Natural earth pigments and bush gum on canvas

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 29 June 1998, Lot 111

Provenance
Purchased from the artist by the vendor during a visit to Turkey Creek in 1986.

Price Realised
$9,500 AUD

Goomana Wangun by Paddy Jaminji, 1986, an ochre painting depicting Lagunan Waterhole on the Chamberlain River at Bedford Downs Station.

Goomana Wangun (1986)

Size
94 × 174 cm

Medium
Natural earth pigments and bush gum on canvas

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 29 June 1998, Lot 34

Provenance
Painted at Warmun (Turkey Creek) in 1986. Lord McAlpine of West Green. Sotheby’s, Tribal Art, Melbourne, 29 July 1990, Lot 183. Private Collection, Sydney.

Price Realised
$22,000 AUD

Tawurr the Kangaroo at Kanmanturr by Paddy Jaminji, 1987, depicting the ancestral “half-one” kangaroo at Elgee Cliffs on Bedford Downs Station.

Tawurr the Kangaroo at Kanmanturr (1987)

Size
60 × 59.5 cm

Medium
Natural earth pigments and natural binder (bush gum) on plywood

Auction
Sotheby’s, Aboriginal Art, Melbourne, 26 July 2004, Lot 28

Provenance
Acquired directly from the artist at Warmun (Turkey Creek), Western Australia. Private Collection, Adelaide.

Price Realised
$39,500 AUD

 

Kimberley Ranges with White Fella’s Road by Paddy Jaminji, 1987, depicting Kimberley hills crossed by a bitumen road.

Kimberley Ranges with White Fella’s Road (1987)

Size
60.5 × 120.5 cm

Medium
Natural earth pigments on composition board

Auction
Sotheby’s, Aboriginal and Oceanic Art, Sydney, 25 November 2007, Lot 45

Provenance
Painted at Warmun (Turkey Creek) in 1987. Private Collection, acquired directly from the artist.

Price Realised
$30,000 AUD

Tawurr the Kangaroo at Kanmanturr by Paddy Jaminji, 1987, depicting the ancestral “half-one” kangaroo associated with Elgee Cliffs on Bedford Downs Station

Tawurr the Kangaroo at Kanmanturr (1987)

Size
60 × 59.5 cm

Medium
Natural earth pigments and natural binder on plywood

Auction
Sotheby’s, Aboriginal Art, Melbourne, 24 November 2009, Lot 74

Provenance
Acquired directly from the artist at Warmun (Turkey Creek), Western Australia, in 1987. Private Collection. Sotheby’s, Aboriginal Art, Melbourne, 26–27 July 2004, Lot 28. The Austcorp Group Limited Art Collection.

Price Realised
$25,000 AUD

Untitled by Paddy Jaminji, 1987, an East Kimberley ochre painting of layered hills and landscape forms outlined with white dots.

Untitled (1987)

Size
60 × 90 cm

Medium
Natural earth pigments and natural binder (bush gum) on board

Auction
Deutscher and Hackett, Important Australian Aboriginal Art, Melbourne, 18 March 2020, Lot 61

Provenance
Aboriginal Traditional Arts, Perth (Mary Macha). Private Collection. Sotheby’s, Melbourne, 26 June 2000, Lot 79 (as Untitled, 1997). Private Collection, Melbourne.

Price Realised
$16,000 AUD

Gunmudu Country – Near Bedford Downs by Paddy Jaminji, 1988, an ochre painting of East Kimberley Country with large rounded hill forms outlined in white dots.

Gunmudu Country – Near Bedford Downs (1988)

Size
70 × 110 cm

Medium
Natural earth pigments and charcoal on composition board

Auction
Sotheby’s, Aboriginal Art, Melbourne, 26 June 2000, Lot 135

Price Realised
$10,000 AUD

That Whitefella Kill Blackfella by Paddy Jaminji, 1988, depicting an armed white figure confronting an Aboriginal figure in an East Kimberley historical scene.

That Whitefella Kill Blackfella (1988)

Size
50 × 40 cm

Medium
Natural earth pigments and gum on canvas board

Auction
Sotheby’s, Important Aboriginal Art, Melbourne, 30 June 1997, Lot 52

Provenance
Purchased directly from the artist by Mary Macha at Warmun (Turkey Creek) in 1988.

Price Realised
$5,500 AUD

About This Artist Value Page

The headline auction statistics at the top of this page — including the number of works offered, sale rate, highest recorded sale and median sale price — are calculated from the auction records reviewed for this artist.

Everything below those figures should be regarded as a curated and subjective selection rather than a complete record of the artist’s auction history.

This is not a database of works sold. For comprehensive Australian art auction records and market data, I recommend the Australian Art sales Digest

I select works primarily to show the variety, development and quality of an artist’s work. I favour works with good-quality images over those represented by small or poor auction photographs, and I naturally include paintings that I find particularly interesting or useful in understanding the artist. Although I try to choose representative examples from different periods, subjects, sizes and price levels, these choices inevitably introduce bias.

The highest auction results also require caution. An artist’s three, four or five strongest results may be for exceptional works that entered Australian or international public collections or attracted unusually strong institutional and collector competition. Such prices should not automatically be regarded as representative of the broader market for that artist.

These pages are part of my continuing education in Aboriginal art and are intended primarily for people who enjoy the art and want to explore the variety and evolution of an artist’s work. Apart from the headline auction statistics, the selection, commentary and interpretation on this page are subjective and should not be relied upon for valuation, investment, insurance, taxation or other commercial purposes.

All images featured in this article are presented strictly for educational and informational purposes.

This website may include copyrighted material for which specific authorization has not been obtained from the copyright owner.

All such images are presumed to be the intellectual property of the respective artist or their estate, and are used in accordance with principles of fair dealing or fair use under applicable copyright law.