Peter Marralwanga was an aboriginal artist from Oenpelli who started painting on bark in the 1970’s. Marralwanga and Yirawala established an outstation at Marrkolidjban. It was at Marrkolidjban that Yirawala acted as Marralwanga’s tutor and mentor and taught him to paint.
Marralwanga was greatly influenced by Yirawala style. He adopted the cross-hatching or rarrk in-fill, derived from the designs of the Mardayin ceremony. His barks are usually large and consist of Animals or spirits filled with intense design.
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Peter Marralwanga Biography
Peter Marralwanga was born around 1917 and belonged to the Kardbam clan and the Yirridjdja Moiety. Like some other well known artists like Curly Bardkadubbu and Bob Balirrbalirr he spoke Kuninjku language. Initiated traditionally he was the guardian of several important Arnhem land dreamings. He lived a traditional lifestyle and accumulated great ceremonial knowledge. In 1949 he moved from the Marrkolidjban bush into the Mission station at Oenpelli. In 1959 he travelled to Maningrida to lobby for formal recognition of his traditional land at Marrkolidjban. He did not stay long in Maningrida disliking town life.
In the early 1970’s he met up with his clansman Yirawala. Together they built an out station in Marralwanga’s home country. Yirawala was already earning money through his art and mentored Marralwanga. Marralwanga in turn acted as a mentor for John Marwurndjul. In 1982 his art went on exhibit in a group exhibition called Aboriginal Art at the top. The exhibition was in Darwin and dominated by Marralwanga and Yirawala’s artworks.
Peter Marralwanga Art style
Marralwanga’s style shares many similarities to those of Yirawala and Curly Bardkadubba. This is not suprising as all these artists were working. The artists gaining inspiration from each others work. Unlike John Marwurndjul, Marralwanga never went completely abstract. Peter’s artwork always confine the Rarrk to a figurative element. He uses a variety of techniques including dotting, monochrome, rarrk, solid blocks of colour and parallel rarrk. This works very well in some of his artworks. In other paintings it gets confused and messy..
Echidna with Mardayin style rarrk
It is difficult to attribute a particular style because his canon of work shows an artist forever experimenting and evolving. This experimentation lead to elements filled with cross hatching that take up almost all the bark canvas. Peter abandoned the formal convention of the Mardayin ceremony cross hatched colour sequencing and orientation. He used whatever worked to illuminate the flow and movement of the figurative element
It is likely these experimental works pivotaly influenced john Marwurndjul and his son Ivan Namirrki. Both these artists later abandon the element in favour of pure crosshatched abstractions
Peter Marralwanga was a truly great painter who lived and died before Aboriginal art gained prominence. In 1981 and 1983 he had solo exhibitions with Mary Macha at Aboriginal Traditional Arts in Perth. At that time he was second only to Yirawala as the most influential Kunwinjku artists of their
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Peter Maralwanga artwork Images
The following images of the Artworks of Peter Marralwanga. It is not a complete list of his works. They do however give a good idea of the style and above all the variety of this Aboriginal Artist.