Narritjin Maymuru Yirrkala Bark Painter
Narritjin Maymuru is one of the best-known and most prolific Yirrkala artists. His artwork tells of the movements of the ancestral beings. The most notably the Guwak (koel cuckoo). Guwak while traveling with the Marrngu (possum), created the lagoon and sand dunes of Narritjin’s homelands.
The aim of this article is to assist readers in identifying if their bark painting is by Narritjin Maymuru. It compares examples of his work.
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Narritjin Maymuru Art Style
Narritjin Maymuru often separated his bark paintings into schematic panels. Vertical and horizontal features separate these Schematic panels. He painted backgrounds completely in rarrk crosshatching and in traditional motifs. These motifs include diamonds, rows of dashes, anvil shapes and an X pattern.
Human, animal and spirit figures are usually depivted in black or with limited patterning. The stark figurative elements contrasts strongly with the intricate background.
He often depicts possums. Possums relate to the Marrngu ancestral story. Marrngu was a creator ancestor of his Manggalili People. Narritjin learnt clan mythology from his mother’s maternal grandfather Birrikitji
Figures and animals on Narritjin barks have a black face and are static and formalized. Stark figurative elements contrast with the intricate background. Intense rarrk cross-hatching creates an optical clarity. Narritjin continued to use a human-hair brush and natural ochre long after alternatives were available.
Maymuru has also done a few East Arnhem Land sculptures but they are not as collectible as his bark painting.
Narritjin spent his early years hunting and gathering in East Arnhem Land. He lived in the area between Blue Mud Bay and Caledon Bay. As a young man worked with Fred Gray in the trepang industry. Narritjin moved to Yirrkala Mission soon after its establishment in 1935. He was one of the first Yolngu people to become a Christian. Narritjin worked with the missionaries to bring peace to the Yolngu. He negotiated peace and stopped them fighting among themselves. Narittjun Maymuru first learned to paint from his father Lotama Guthitjpuy. He was later taught to paint by his maternal grandfather Birrikitji. He tried to educate his children in both the old and the new ways. In the mid-1970’s he worked hard to establish an outstation for his family at Djarrakpi Cape Shield.
Narritjin taught all his children, both boys, and girls, to do bark painting. Many of his children have become successful artists in their own right. Narritjin always tried to convey to non-Aboriginal Australians respect for Yolngu culture. His art ties Yolngu culture to the land. His older brother Nanyin was also a bark painter
A man of great traditional wisdom and known amongst his people as Guduwurru, (the western equivalent would be a philosopher). He assisted Birrikitji and Munggurrawuy Yunupingu with painting the Yirritja church panels. The church panels are now housed in the Buku-Larrnggay Museum.
Narritjin Maymuru is sometimes spelled Narritjin Maymary, Naradin Maymuru, Narritjin Maymaru. It can also be Ngaradjin Maymuru, Narratchin Maymuru, Narrachin Maymura, or Naridjin Maymuru. Naritjun Maymuru, Naritzin Maymuru, Narritjin Maymurra, Narritjin Maymurru or Narritjin Maymura.
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Narritjin Maymuru Bark Painting Images
The following images are not a complete list of his bark painting. They do however give a very good idea of the style and variety of the artist