Tiwi Carving

The vast majority of Aboriginal Sculpture comes from the Tiwi Islands. Tiwi carving can be very collectible. The Tiwi islands have had an ancient tradition of carving and painting burial posts called Tutuni. In the early 1960’s some of these skilled traditional carvers turned from carving burial posts to carving figurative works.

The aim of this article is to help readers determine if their Aboriginal carving is a Tiwi carving. It gives examples and links to major early artists.

I Buy Tiwi carving. If you have one to sell I would love to see it. If you have a Tiwi carving and just want to know what it is worth please feel free to send me an image.

Traditional Tiwi Carving

As early as the eighteenth century the Tiwi islanders carved three major objects. They carved burial posts spears and clubs, all associated with Pukumani Funeral Ceremony

Tutuni are Tiwi burial posts used for the Pukumani funeral ceremony. The in-laws of the deceased are responsible for making them. There are personal family influences in choice and decoration of the poles. These choice relate to the totems and skin painting traditions of the family of the deceased. Tutuni Poles are collectible in their own right

The spear is a dance adornment for key performers during a ceremony. Double barbed spears have the name Arawunikiri. Unilaterally barbed spears have the name Tunkaringa. Both are collectible in their own right.

Clubs were for both dance adornments and for fighting.

Figurative Tiwi carving

The figurative sculptural tradition started in Paru in the 1960’s. Paru was on Melville Island but just across the strait from Bathurst Island Mission. The villagers of Paru traded with the mission, especially fish. They also traded some customary items like carved spears and painted mourning bags.

One large extended family group called the Mandimbula live in Paru. Cardo Kerinauia was the first Mandimbula to sell the mission a small carved wooden figure. Carving wood figures soon became a small village industry. It was a great success and many new pioneering Mandimbula artists emerged.

These sculptures were not strictly traditional. Anthropologists and visitors to the mission, however, were happy to buy the sculpture. The sculpture was of ethnographic importance. The designs on the sculpture are those found on body painting and have spiritual significance.

Some people think early Tiwi sculptures were very small and left next to the grave.

The spirit of the deceased would mistake the sculpture for a relative and haunt the sculpture rather than the sculpture’s owner. This theory has little-documented support.

Pioneer Tiwi carving Artists

Each early Tiwi Artist has distinctly different sculptures. Despite being one extended family and living in the same village design differences vary widely

Enraeld Munkara

Enraeld sculptures are distinctive. He carved sculptures with the arms extend directly from a bulbous head. The legs of his figures run straight down from flared hips. He often leaves a defined negative space between the legs which resembles Pukamani grave posts. His carvings have a raw unrefined power to them. He paints them with the same designs as used as skin designs during ceremony

Paddy Henry Ripijingimpi

Ripijingimpi sculptures have a chunky and crude blocky appearance. The face has Incised eyes and mouth. His painting of the sculpture is often very fine. The sex on the figures is clearly shown. Paddy has also done several Pukumani posts. His carved and painted seabirds are very distinctive and although crudely carved are amongst the best-painted examples.

Cardo Kerinauia

Cardo sculptures clearly show the sex of the figures. His figures have the arms carved clear of the body. On his completed sculptures he paints the entire carved figure with intense body paint designs. His figures have broad shoulders tapering to a narrow waist.

Mick Aruni

Mick Aruni carved and painted figures and painted at least one bark painting. His Early sculptures clearly indicate the sex of the figures. his later figures either through mission influence or buyer preference do not. His early figures had arms carved clear of the body and were very well painted. He is also known to have carved birds and sculptures with birds on the head.

The Mungatopi brothers

This includes Ali Miller, Laurie, Deaf Tommy and Lame Tobi. They were all ceremonial dancers as well as artists. The Mungatopi brothers are better known for their bark paintings. They did however do some important sculpture.

Benedict Munkara

Some Benedict Munkara sculptures have oversized heads of comparatively realistic Bodies. He did very few carvings but those that he did do are of great quality.

Declan Apuatimi

Declan Apuatimi sculptures are almost always in ironwood and often have heads the same size as the body. Sculptures are painted in designs associated with Pukumani ceremonies. They have distinctive almond-shaped eyes that are white, with black pupils. Declan also carved birds. They tend to have white bodies and are plainly decorated other than the wings. The wings are elaborately designed in motifs previously used for skin designs.

Kitty Kantila

Kitty Kantrilla sculptures have a chunky and crude blocky appearance. The face has a strong wide nose sometimes in a hexagonal shape. Her painting on the sculpture is often made up of lots of dots and blocks of solid color. All her earlier early indicate the sex of the figure. Kitty has also done several Pukumani posts and seabirds as well.

Black Joe Womadiemeri was a master carver of Spears. He spoke excellent English and paints traditional designs on bark

Jerry Kerinauia Wainyingabunga was best known for his carvings of pelicans. He also made human figures and uniquely painted figurative bark paintings

Don Hocking Budjameri was a go-between for the mission staff and the community. He liked to carve crocodiles and miniature Pukumani grave posts.

Mani Luki was a prolific and highly skilled carver. He was nicknamed Harry Carpenter for his skills and has a very distinctive style.

Tiwi Art History

Since the turn of the twentieth century, the Tiwi have had regular contact with the outside world. They have maintained and adapted many of their customary practices. The most important is the performance of their main ceremonies, the Pukumani and the Kulama.

The Kulama was once primarily an initiation ceremony for both men and women. Today its main function is promoting health and the regeneration of life.

The Pukumani mortuary ceremony involved a series of performances over a period of time after a person’s death. It concluded with the cutting of the burial pole tree. This burial pole was then erected at the grave site. All Tiwi are still expected to take part in these ceremonies. They should sing, dance and carve a Tutini (Pukumani pole) if commissioned by the deceased’s relatives. These Tutini funeral poles are the most famous Tiwi objects. Tutuni represents the body of the deceased or one of the ancestral beings.

Other distinctive items customarily made for the Pukumani ceremony included Tunga. Tunga are large painted bark baskets.

Many Tiwi artists also did Painting on Bark.

Book Tiwi Art History Culture

Tiwi Carving images

The following images give a good idea as to the variety of early Tiwi Sculpture artists works.

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