Aboriginal Dot Art

Aboriginal dot art came into the Western worlds mainstream consciousness in the Early 1980s. Dot Art emerged from the Western Desert.  In particular dot art first came from an Aboriginal settlement called Papunya.

Today Aboriginal dot art paintings vary from the finest of minute marks neatly arranged on the canvas to the wild and multi-colored large finger dotting.

Some artists merge their dots into lines, or even into wide areas of connecting dots.  These merged dots have more of a stippled effect than a dotted appearance.

The defining criterion for a dot painting is the technique used. Aboriginal Dot art is produced by repeated imprints of a paint covered object. The object can be a brush, dotting stick, match or any other implement used to apply dots of paint to a surface.

The aim of this article is to briefly explain the history and meaning of aboriginal dot art. Aboriginal dot art has evolved and is still evolving today.

If you have aboriginal dot art to sell I may be able to help. I mainly deal with early artists and artists that I feel were important in the evolution of Aboriginal Art. Feel free to send me an image.

Aboriginal Dot Art history

 

Dots have been used in Aboriginal art for millennia. Aboriginal dot art was used for ceremonial body painting, in sand paintings petroglyphs and applied to carved artifacts.

These early forms of aboriginal dot art remained largely unknown to most of the Western world until the Mid 1970s.

Aboriginal art is intimately intertwined with ceremony and sacred knowledge. Much of this secret and sacred knowledge could only be divulged to the initiated.

Early Central desert art

In the early 1970s, a primary school art teacher called Geoffrey Barton was working in the remote Aboriginal community of Papunya. He noticed that his students were drawing traditional designs in the red dirt of the school’s playground. Barton tried to encourage them to make these designs on paper but soon learned that it was only initiated men who were supposed to make these sacred designs.

He started a men’s painting group and in doing so unwittingly started the Aboriginal dot art movement.

In the early years, the aboriginal men’s painting group used very few dots when painting their sacred stories. Artists like Kaapa Anatjari and Long Jack painted sacred designs mainly using lines.

Between 1971 and 1974 aboriginal art from this area used some dots but they were not the dominant feature.  These paintings are often symmetrical and related directly ancestral songlines.

Kaapa Mbitjana

Tim Leura

Aboriginal dot paintings emerge

 

In 1974 other aboriginal groups saw Papunya paintings for sale in Perth and Alice Springs. They were upset and angry about the paintings They felt the designs on the paintings revealed  secret and sacred knowledge.

To overcome objections from these other aboriginal groups the Papunya artists obscured the sacred designs with dots.  Aboriginal dot art was born.

 

 

 

Aboriginal Dot Art Meaning

The dots themselves in early aboriginal dot art had no specific meaning. Dots were used to obscure sacred designs and as a background infill. It was often the equivalent of someone pixilating part of an image.  By dotting a particular secret piece of the canvas the sacred information was obscured.

 

Until the 1980s the underlying designs and songlines were the main elements of the painting.  The dots either a background filler or an obscuring technique. Certain artist like Clifford Possum and Tim Leura thrived making these secular paintings  while other artists faded.

Clifford Possum

Mouse dreaming by Mick Namarari

Aboriginal Dot Art comes of age

 

By the early 1980’s the dots were no longer just a background they were a popular design element. Aboriginal artists like Mick Namarari were using the dots in new and increasingly imaginative ways. Aboriginal art was no longer the recording of traditional stories using paint but was increasingly a unique form of abstract art the likes the world had never seen.

Dot art by Tommy Mitchell

Aboriginal women in Dot Art

 

The move from secular iconography of the early 1970s to increasingly abstract dot art allowed Aboriginal women to paint.

Female aboriginal artists like Emily Kame Kngwarreye became great artists in their own right.

Emily who is now Aboriginal Australias top grossing artist would not have even been allowed inside Geoffrey Bardons Painting group.

Aboriginal art is still evolving. Many new generation artists like Daniel Walbidi now creat abstract masterpieces virtually without dots at all

 

 

Dot art by Emily Kame Kngwarreye

Rarrk Cross hatching

Regional differences

 

Traditional dot art is mostly used by Central Australian Aboriginals.

Traditionally Eastern Arnhem Land artists like Mawalan Marika and Narritjin Maymura used Rarrk cross hatching.

Western Arnhem land artists like Dick Murra Murra and Lofty Nadjamerrek used fine parallel line.

 

Parallel Rarrk

Groote island

dash stippling

 

Groote Islander tended to use short dashes as shown on the left.

Tiwi artists used a variety of techniques including Dot art. The tiwi artist Kitty Kantilla used dots so often her nickname was dot dot.

Tiwi Island

variety of techniques

Images of Aboriginal Dot Art

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